A storyboard portfolio that already books Premier League, Coca-Cola, Bentley, NatWest, Innocent and Wolt — invisible to the engines that send the next brief in 2026.
Your website scores in the bottom 25% of professional creative portfolios in commercial illustration and storyboarding.
33 indexed URLs. 2 of 33 pages have a meta description. 0 of 4 service pages declare an H1. 2 of 16 portfolio thumbnails have alt text. 0 of the 8 schema types ChatGPT, Perplexity, Copilot and Gemini look for to cite a storyboard artist are deployed.
Open pagespeed.web.dev on your phone and type in sebantoniou.com. Then ask ChatGPT for a storyboard artist for a Premier-League-style commercial. See for yourself.
A producer at Bentley's agency clicks the music-videos link from your Behance bio. The page weighs 2.93 MB — the heaviest file on the entire site. The browser asks for caching guidance and your server replies Expires: Thu, 01 Jan 1970. Every visit re-downloads everything; nothing stays in cache. Google's data: 53% of mobile visitors leave after 3 seconds.
When it does load, the design is a clean Squarespace template — but two of three structural anchors are broken. 0 of 4 service pages have an H1. The homepage and /storyboards both declare the same H1 ("Seb Antoniou"), so Google can't tell them apart. 14 of 16 portfolio thumbnails have no alt text — the work for Premier League, Bentley and NatWest is invisible to image search and to every AI engine that builds a model of who you are. Design score: 58/100. CTA & Conversion: 4/10.
The portfolio sells. The metadata that surfaces it does not.
Cache-Control: Expires Thu, 01 Jan 1970.The portfolio is excellent. The metadata that decides whether AI engines can recommend it doesn't exist.
200 million people use ChatGPT weekly. When a producer or commissioner asks "who's the best storyboard artist for a Premier-League-style commercial?", the engines recommend three to five names. Your GEO score: 18/100. 0 of the 8 schema types the engines look for to cite a creative professional are deployed. 14 of 16 portfolio thumbnails are unlabelled — the engines literally cannot read who you've worked with. Right now, no AI recommends you by name.
If Seb isn't there — and right now he won't be — that's the gap this section measures. In creative-services categories, the first artist AI learns to recommend by name owns the brief queue. Right now, that position is open. It won't stay open.
UK storyboard artists, as a category, have not rebuilt their sites for AI search. The first one through the gate becomes the cited default. The named-brand portfolio you already have — Premier League, Coca-Cola, Bentley, NatWest, Innocent, Wolt — is the moat. The schema graph that surfaces it is the only thing missing. That position is open today. In 12-18 months it won't be.
Same methodology, same standards. Different client, same caliber of brand. Real data.
These are Google's tools and OpenAI's tools. Not ours. The results speak for themselves.
Same brand portfolio. Same studio. But producers and commissioners find Seb in the first AI answer, the page weighs less than 500 KB, and the engines cite him by name when a director asks.
This audit is one half of the document. The other half is the 90-day proposal — three waves, day-90 exit criteria, and the four written guarantees that back the engagement. The branded PDF is at /proposals/sebantoniou.pdf (8 pages, A4).
This report shows the gap between the brand portfolio Seb has already built and what AI engines, search engines, and producers can actually see. A conversation determines whether closing that gap makes sense right now.
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